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《 Red Apricot on the Wall 》

       "Red Apricot on the Wall" is often used to describe women who cheated, you may ask why a photography exhibition using this name? You may not know, these works also means ‘there is a reason’ and ‘eager to communicate’. Photography entered China in 1842 and gradually became an independent art style. But due to some objective factors, Chinese Contemporary Photography is in an awkward position in the development process of Chinese art, facing numerous disputes and difficulties. It is gratifying that, there are still a lot of enthusiastic artists creating outstanding works, today, they want take this opportunity to communicate with you. No lights, no decoration, these works just present here in the simplest and most honest way, looking forward to meeting you.

        The works exhibited here are from 14 artists that selected by the three judges (President of the Royal Academy of Fine Arts in Brussels, Mr. MarkPartouche, Brigitte Bauer, Professor of Photography Department of Art College in Nimes, France, and Zhang Xiaotao, Head Professor of New Media Art Department of Sichuan Academy of Fine Arts, China) from 50 contributors.

         Finally, we wish you can select your favorite artist and with your signature. In the future, we will send the card as a precious gift to these artistes who are currently in China and not be able to be present in this exhibition. In addition, the artist who gets the most votes will receive the "Red apricot Award."

Picture
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VERNISSAGE
DIMANCHE 21/09 /2014 A 19H00
Paul Deschenellaan 92, 1030 Brussels, Belgium

14 artistes chinois:
Yizhong CHEN; Shuni CHEN ; Dejie WANG ; Dan LIU ; Chengwei DU ; Xingliang WANG ; Zhiqiang WANG ; Chaoqiong LUO; Lingxiao YAN; Honghan WANG; Yijian ZHANG; Rui ZHANG; Jie FENG; Yuerui ZHANG

Commissaire:ZHAO Qiong


作品展出位置示意图/Art works’ distributions

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A letter to the readers--Brigitte Bauer

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Acknowledgement:

The organizers would like to express their great gratitude to Prof.  Mark Partouche, Prof.  Brigitte Bauer and Prof. Xiaotao Zhang for their reviewing and selecting the photographs for this exhibition.
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